Ah, the Met Gala, one of my favorite days of the year! This years theme, “Heavenly Bodies: Fashion and the Catholic Imagination”, guaranteed a lot of reds and golds, plenty of medieval and renaissance aesthetics, a decent amount of punting on the theme, and perhaps a little bit of controversy. With Donatella as one of this years gala chairs, Versace delivered on all counts. It’s no surprise that Donatella was behind more gowns this year than any other designer – if anyone knows their Catholic iconography, it’s the House of Versace.
Before we begin, a fair warning. Being Jewish, I am bound to miss things and get details wrong about the iconography, symbolism, and general history of the Catholic church. I’m going to do my best, but correct me when I’m wrong and chip in about references I may have missed!
Donatella Versace
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Let’s start with the woman of the hour. While she didn’t save her best for herself, she looks great. Blue and gold is one of my favorite color combinations and she reps her brand very well. She looks exactly as we’ve all come to expect her to look, and that’s not a bad thing.
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